In each of the three critical works seen so far in this series, the observations given on Radaelli's method, whether for the sword or the sabre, have predominantly been limited to the theoretical realm, based off the critic's own readings of Del Frate's 1868 and 1876 treatises. What sets this work apart from the others is the fact that its author, Giovanni Pagliuca, had learnt Radaelli's system in person at the Milan Military Fencing Master's School. Although not published until at least 1880, Pagliuca's rare booklet Cenni di critica sul sistema di scherma Redaelli ('Brief critique of the Radaelli fencing system') consists essentially of journal entries, written while he was attending the Milan school, criticising each element of Radaelli's sword method as it was taught and comparing it to the method he previously learnt from Cesare Enrichetti.1
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Pagliuca had already been a fencing master for several years by this point, but since Radaelli's method became the sole approved method for the Italian army in late 1874, each military fencing master who had received their qualification Enrichetti's school in Parma was eventually sent to Milan to attend a 9-month conversion course in the Radaelli method.2 It was this course which Pagliuca was taking part in while writing this critique. However, as can be seen by the date of the reply to Pagliuca's dedication, his notes were not published until at least December 1880, or more likely early 1881. Therefore Pagliuca's work occupies a unique position in this series in that it was the earliest to be written out of the four works, while also the last to be published. The first entry in the booklet after the dedication is dated 31 July 1876, which means the course at the Milan school already been underway for four and a half months by this point. Presumably that time had been spent learning Radaelli's sabre method, with the remaining time, that is from August to December, to be dedicated to the sword and general consolidation.
The booklet is dedicated to Baron Ottavio Anzani, who was a highly regarded amateur fencer from Naples. Shortly after writing his reply to Pagliuca's booklet dedication, Anzani would find himself in the middle of a great controversy at the 1881 international tournament in Milan, where the jury became hotly divided over the decision of whether to give the tournament's most prestigious prize for the 'best fencer of the tournament' to Anzani or the young Radaellian master Salvatore Arista. Ultimately it ended up going to Arista, but as a concession to the Neapolitan partisans of the jury another prize of 'equal merit' was also awarded to Anzani.3 Although Anzani stopped fencing at competitions and public exhibitions after the Milan tournament, his most fateful moment in Italian fencing was his participation in the 1883 government fencing treatise commission, which resulted in Parise's method being chosen as the army's new regulation method and a reversal of the power dynamic between the Radaellian and Neapolitan factions for the next two and a half decades.4 Pagliuca was said to have submitted a manuscript of his own to the treatise commission, and it ended up being ranked second after Parise's.5 If this is true, one cannot help but wonder if the relationship between Pagliuca and Baron Anzani changed at all as a result.
Pagliuca explicitly states that his remarks were confined solely to those aspects of Radaelli's sword system he thought were particularly egregious, leaving out insignificant flaws as well as aspects of the system which aligned with his own Enrichettian foundation. While most of Pagliuca's observations can be found in one of the previous books seen in this series, we do find several unique insights that are the direct result of his insider knowledge. One is his observation that the Radaellians, who care little about maintaining a 'correct' guard position at all times, sometimes shift their body weight entirely onto the front leg as a way to invite their opponent to strike, which may be describing the slight lean seen in the illustrations of Del Frate's books, a topic discussed here previously. Another is Pagliuca's description of the technical term margin, used by the Radaellians to refer to fencing measure. The word margin is not found in any of Del Frate's writings on Radaelli's system; however, it does appear on two occasions in the handwritten notes of two student copies of Del Frate's 1876 book. Thus Pagliuca confirms that although Del Frate's writings contain no discussion of fencing measure, the concept was not totally alien to Radaelli's students, even if the term they used was to describe it was, like much of their terminology, quite different to what was common at the time.
As for Pagliuca himself, it is hard to say too much about the man aside from the simple facts of his respectable if rather quiet career, as he spent most of his adult life teaching fencing in the military. Born in Naples on 3 September 1847, Giovanni Pagliuca joined the military at the age of 17 and began his foray in fencing four years later, soon graduating from the renowned Fencing Master's School in Parma directed by Cesare Enrichetti. After learning Radaelli's method in 1876 Pagliuca would continue to maintain his Enrichettian style for the sword, although it is likely his sabre fencing took on more of a Radaellian character, as was observed in most Enrichettians following the merger of the two schools. His early career saw him teach in Turin for a few years, making a name for himself among the local civilian fencing scene at the Club d'Armi, as well as at the Naples military college, during which time he received a promotion to 'civil gymnastics master' in late 1883. This was improved the following year to civil master of gymnastics and fencing while attending a 3-month course in Parise's method at the Fencing Master's School's new location in Rome.6
In 1887 Pagliuca found himself back at the Scuola Magistrale, this time as an instructor. His many years of experience earned him the role of vice-director of the school in February 1889 along with Salvatore Pecoraro, but this only lasted until October of the following year, when he was transferred to the Rome military college; here Pagliuca spent the rest of his teaching career, aside from a brief period at the Modena military school around 1897.7 To my knowledge, the only other occasion Pagliuca stepped into the realm of public debate on fencing matters was in 1910, joining Ferdinando Masiello in criticising the recently-published sabre treatise of Salvatore Pecoraro and Carlo Pessina.8 Giovanni Pagliuca retired from the army in December that same year.
Thus to my knowledge we are left with only two surviving writings by Pagliuca, both being critiques of Radaellian authors, but in starkly different contexts. While in 1876 the Radaellian method was still having to prove itself to the jealous defenders of traditional Italian sword fencing, by 1910 Italian sabre had exploded throughout the Western World, and the graduates of both the Milan and Rome Fencing Master's Schools were its most decorated representatives. Having witnessed this dramatic development take place over the past 40 years, and despite his harsh words for the teaching practices at the Milan school in the 1870s, Giovanni Pagliuca was in no doubt as to who the founder of this movement was: 'Giuseppe Radaelli, the creator of sabre fencing in Italy'.9
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1 Giovanni Pagliuca, Cenni di critica sul sistema di scherma Redaelli (Turin: Tipografia Letteraria-Forense-Statistica, [1880?]).↩2 Cesare Ricotti-Magnani, "Circolare N. 21. - Istruttori e sottistruttori di scherma chiamati alla scuola magistrale di scherma in Milano," Giornale Militare 1884: parte seconda, no. 4 (28 January 1876): 67.↩
3 Domenico Cariolato and Gioacchino Granito, Relazione del torneo internazionale di scherma tenuto in Milano nel giugno 1881 (Naples: Tipi Ferrante, 1881).↩
4 Paulo Fambri, "Relazione," in Masaniello Parise, Trattato teorico pratico della scherma di spada e sciabola: preceduto da un cenno storico sulla scherma e sul duello, (Rome: Tipografia Nazionale, 1884), i–xxxv.↩
5 Egidio Candiani, "Masaniello Parise," La Stampa Sportiva, 30 January 1910, 17.↩
6 Edoardo De Simone, La Scuola Magistrale Militare di Scherma. Dalla sua fondazione in Roma a tutto l'anno 1913. Note storiche (Rome: Tipografia Editrice "Italia", 1921). Date of birth and military enrolment date are found in Annuario militare del Regno d'Italia. Anno 1909, vol. 1 (Rome: Voghera Carlo, 1909), 247.↩
7 For the specific dates of Pagliuca's various appointments and transfers see the relevant volumes of Ministero della Guerra, Bollettino ufficiale delle nomine, promozioni e destinazioni negli ufficiali del R. Esercito Italiano e nel personal dell'amministrazione militare (Rome: Voghera Carlo).↩
8 Giovanni Pagliuca, "La scherma di sciabola di Pecoraro e Pessina," La Nazione, 7 October 1910, 2.↩
9 Ibid.↩
Great content as always. Will you be posting more soon? – MotS
ReplyDeleteLike all good things in life, this particular series has come to an end; however, some of the criticism contained in it will make a brief appearance when we take a look at the 1881 Naples Gymnastics Congress in a future article.
DeleteThe next regular monthly post will be up shortly.