Highlights
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11 April 2020
La Scherma di Fioretto by Ferdinando Masiello
Considered by many to be the leader of the Radaellian school of fencing in the decades following the death of its founder, Ferdinando Masiello was without doubt a giant in the Italian fencing scene of the late 19th century. He first published his method of fencing in 1887 under the title La scherma italiana di spada e di sciabola ('Italian sword and sabre fencing'). His sword method was a combination of all the principles he considered best among those systems he studied, the main influence being Cesare Enrichetti, along with dozens of footnotes criticising and refuting Masaniello Parise's method. Masiello's sabre method, however, was based only on Radaelli's method, with a few of his own modifications.
Fifteen years later, he separately released a second edition of his sword treatise (third edition for sabre). His treatise on the sword (now using the name fioretto to differentiate it from the recently popularised épée du combat) entitled La scherma di fioretto is what I wish to share with readers today.
Scans: https://drive.google.com/open?id=1y2cb5sUZqx_mFQPsRQVNgCFtn43uDIiY
The second edition removes much of the fluff in the introduction of the 1887 edition, and is far less scathing of Parise, having none of the footnotes picking apart his method. Short of doing a detailed side-by-side comparison, the method itself is much the same, still retaining his unique preference of wielding the sword predominantly through the shoulder, both for disengagements and parries. The most obvious change is the illustrations, which replace the clothed clones of the 1887 edition with ripped Adonises in budgie smugglers.